Arwin held his piping bag in one hand and pinned his small round-framed glasses against his nose with the other. As he leaned in close, he chuckled to himself. Six years ago, I would have never given the size of my head a second thought. These days all of my wildest fantasies involve me having a giant velcro face to hold these damn lenses in place. “There.” he gasped as he delicately squirted the final tiers of suspended royal icing on his drop lace cupcake. Normally reserved for their most decadent clientele, this lavender-iced, chocolate-ganached wonder had been a thirty-minute labour all for himself. As his open day planner on the far left of his work table indicated, today was the sixth anniversary of his glorious escape.
He remembered that sunny afternoon in March six years before, in the light of a small window, she, who was so unlike Martha, had walked straight around his computer desk, seen the misshapen flower he was struggling with on Paint and smiled. For that brief hour, the world was teeming with potential. She was alight with anticipation for the future, so full of promise, it had made Arwin feel like a kid invited to a secret clubhouse. His better sense fiercely adjusted its tie while screaming at him that she was a silly girl, but looking through her eyes the world transformed. Through the translucent bars of his desk, he could see life's essence, as if it had been sitting in plain sight all along and he had been too busy to notice it.
Arwin tensed his piping bag, shooting a glob onto the floor. He sighed. He could still taste the ghost of her turnover, rolling the bitter sting of crisp promise and apples over his tongue. Baking? Really? Compared to banking it had seemed all chocolate chips and flour fights. Well you got what you came for Leah, you loan skank, he thought, stamping on the unassuming glob.
If only he had known what he was getting into. Arwin had danced through the loan paperwork, gleefully packing his things, and before the air had cleared of cinnamon, Leah had her bakery loan and he had departed banking forever.
Six years, and a Pâtisserie and Baking Program diploma from Le Cordon Bleu College of Culinary Arts later, and he was Chips Ahoy!.
Then again, maybe working in a bakery would have been one big chocolate cherry if Martha Evans of Chantilly Cakes hadn't been the only the only business owner willing to hire him straight out of the program.
Watching Martha work made Arwin feel like a struggling infant witnessing the birth of a fawn, then seconds after birth, the fawn immediately rises to its fours and darts away, leaving him in her dust. Right now, Leah his muse was sitting pretty on the cash he’d approved and he, who had made her dreams possible, was playing fondant stooge to a bitch deer.
He wanted to march up to his boss and demand the happiness he deserved. This was supposed to fix everything. At Royal Bank of Canada he was promoted almost biweekly. Put in the extra hours, and they put out the cash and titles. After all, what the hell was everybody else always up to when he was working late? Here, however many cakes he iced or chocolate he whittled, he would never be Martha.
She was a flavor god, her dappled hands flying as she tossed this and that into the chrome mixer. He on the other hand, did what he was good at, doing what he was told. Often he would spy on her, as she hunched over her cauldron of sugar like a dragon atop of pile of treasure. He watched in desperation as she spun the boiling goo into delicate forms, and the sweet smell invaded the air.
Where do the ideas come from? Why do some people just know? He mused as he gingerly fitted strawberry halves into Martha’s cakes. He felt like a strawberry. He wanted to orchestrate, to know the grand design, not sit wedged in icing with blind delusions of the part he had played.
On Sunday, Mrs. Barnette with her rolling eggbeater thighs would arrive exactly ten minutes ahead of schedule to pick up a stately, six-tier cake for the Tuberculosis Society’s gala event, the Breathing Beauty fundraiser Aptly named, seeing as the walk from the cab to the bakery door left Mrs Barnette panting. All week, Martha had been breathing down his neck to crank out some cheap decorations so she could cater to a more prestigious client, the wedding cake of a local celebrity.
“Make with the fondant roses Arwin!” he could hear her yelling from her private workshop as he bit into his tiny “victory-cake”. He didn’t respond. The cupcake was constructed from company materials after all, and his muffled mouthful-of-cake-voice would be a dead giveaway.
“I don’t hear any piping.” She yelled.
“You can’t hear piping.” he scoffed to himself crumbs flying out of his mouth and onto the ground. He sighed, picking up the little dust-pan and broom by his station. He swept the crumbs expertly into the trash, scrubbed his hands, and returned to his work station, where the remains of his cupcake glittered gloriously in robes of icing just feet away from the unadorned six-tier that he was supposed to be working on.
By the time night rolled around, he had only finished the bottom two tiers. The designs were standard, but immaculate, and immaculate took time. Regardless of how much time was squandered away on cupcakery, he couldn’t devote any less to the customer.
He could hear Martha’s keys jingling ostentatiously as she moved from room to room locking every surface where two sides could come together. Arwin shifted his feet, looking up at the unfinished tower. It was Saturday night and the client would be there at nine.
Martha waltzed into the room blinking profusely as her eyes adjusted to the light from the dark hallway. “Arwin?” she started “Is this as far as you’ve gotten.” He nodded sheepishly, “There were some minor issues in the execution.”
Her eyes smoldered. “I for one, plan to sleep tonight.” she spat “Finish the job by eight.” The keys flew at his chest, breaking Arwin’s smart nod and he dove awkwardly to retrieve them before they could hit the ground.
He stood straight, and stared at the cake with a professional disinterest until he had heard the ping of the tacky bell on the front door, signaling that Martha had left.
He had already decided that tonight would be different.
He had gotten the idea that morning when a gust of wind from a window Martha had left open blew a stack of design templates on his work table into a swirling vortex. At first he had just stared, dumbstruck, and then, almost reluctantly, he reached for his front pocket pen and made a small jot in his day planner.
He flew into action. Aiming for Martha speed, he dumped a week’s worth of sugar into a chrome pot to melt, and dashed away from the stove. Strumming the frame of his glasses with his pocket pen he reached for his day planner and studied it intently. The note read: Sugar Wind.
30 minutes passed as Arwin stared at the cake, waiting for its imminent transformation.
He sat motionless, sizing it up until the smell of unemployment crept into his nose. “The Sugar!”
Stream rose from the tall pot as his golden opportunity burned away on the stove. He had used the last of the sugar, all of the suppliers were closed and the client would be arriving in 12 hours. Even if he were to find a source, replacing the sugar would be a day’s worth of pay, a hefty sum just so Martha could have her pat on the back.
He jumped up from behind his station in a mad attempt to save the sugar, his hand slamming against his work table and sending the remains of his celebratory cupcake spinning toward the ground. As he rounded the table towards the stove, his foot caught the gnache-y cake deposit and he slid uncontrollably on one heel into the porcelain stove. The thud was the most pain he’d ever felt, until the kinetic force upset the large pot and tipped over the vat of boiling sugar.
The hot acid bubbled over onto Arwin, paralyzing him in agony. The sugar seared his flesh and flowed through his every pore, simultaneously hardening and cementing him to the floor. Screaming and writhing the appendages that weren’t immobilized by hardened sugar, Arwin felt the sweetness engulf him, and he became one with his medium. He was inspired. Finally, he knew exactly what to do with the cake.
On Sunday, Martha walked straight into Chantilly Cakes without unlocking the door, followed immediately by Mrs Barnette. “Sorry about the state of this place.” Martha reassured her, stealthily sweeping cake crumbs under a decorating table. “As soon as you leave, I’ll let Arwin know that this is unacceptable.” With matronly purpose, they strolled into Arwin’s workstation. There he was, entombed in a sugary grave, and one with creation.
http://zombiecupcakes.wordpress.com/
Monday, November 29, 2010
Saturday, November 20, 2010
I'm Dreaming of a White Christmas Christmas
So as the holiday rulebook specifies, as soon as the the first snow falls, the rest of the world can catch up to retail and start getting excited for Christmas.
Brea, you may say? You are the most jaded person I know? You, who hates every other holiday actually likes Christmas, the holiday hated most by jaded people?
Yes! I love Christmas!!! wheeeeeeeee
I'll share my secret with you.
Those who have not been met with yuletide tragedy dislike the holiday simply because they haven't been properly acquainted with Bing Crosby. No not Bill Cosby, Bring Crosby! the most troops-lovin' kid beatin' droop-faced crooner this side of Christmas.
But Brea! you say, Bing Crosby isn't even all that talented. He doesn't hit any high notes, have remarkable vocal power, he can't dance and has virtually no snowmanship.
It's ok!! They'll pair him with somebody actually talented like Fred Astaire or Danny Kaye and pass it off like Fred is actually using Bing to look good.
Here he is looking good in a Family Guy parody:
http://familyguy.wikia.com/wiki/Bing_Crosby
By now, I'm sure you've realized that I'm referring to my two favorite holiday movies:
Irving Berlin's White Christmas and
Holiday Inn -If the traffic noise affects you, like a squeaky violin..kick your cares down the stairs and coooome to holiday inn!
The plots are a little too convoluted to type in a space that wouldn't be unreadable and annoying, but trust me, it's cinematic genius- they're always some sort of inn INNvolved, there's crazy schemes and deceit and musical numbers galore!
I wait all year for singing the songs to magically transform from annoying to appropriate.
As extra incentive to see at least one of the movies, I will give you the only joke line of Holiday Inn- don't get me wrong, there's funny parts but this is the only part where they actually made an attempt at an actual joke:
(a lot more actual joke attempts in White Christmas)
Bing Crosby has moved out by himself to the farm that he had bought for his and his fiance/show partner Lila's life together, but the day after he quit his show career, Lila left him for Fred Astaire, the dancer in their act. Bing often complains that on holidays, instead of taking a break, people in show business put on even more intense shows, so he wanted to move away from the city to "live life by the holidays". He returns with jars of farm peach preserves for Fred and Lila and Fred's agent who's always lurking around.
Fred says: Oh boy, peach preserves, do I ever go for those. They're great on.....or even plain!
Then they take cover in the dressing room as the preserve jars explode from exposure to the nightclub air.
And do I sit there year after year biting my nails, waiting for the only joke line so I can laugh my ass off? You know I do!
The moral of the story: See the movies, sing often, and apparently, Bing Crosby has the authority to tell people when to go to sleep.
White Christmas
Holiday Inn
Fun fact for everyone who doesn't know: The reason why White Christmas is not a public domain song, and its impossible to get sheet music for is because its an Irving Berlin song appearing in both movies and the rights are heavily protected.
One more fun fact: White Christmas is playing at Manitoba Theatre Centre! -I only regret that it was too close to the deadline and I couldn't review it for the journalism review assignment. Not to mention I'm going to Tosca tonight and it's somehow less expensive.
Go Buy Tickets Now:
Holiday Inn at the Manitoba Theatre Centre- at least go for the water wall!-
One of the first Scenes from White Christmas- just look at this adorably awful set
Adorable musical number or recruitment video- WHO CARES!! One of the final scenes of White Christmas
Opening Scene of Holiday Inn
Brea, you may say? You are the most jaded person I know? You, who hates every other holiday actually likes Christmas, the holiday hated most by jaded people?
Yes! I love Christmas!!! wheeeeeeeee
I'll share my secret with you.
Those who have not been met with yuletide tragedy dislike the holiday simply because they haven't been properly acquainted with Bing Crosby. No not Bill Cosby, Bring Crosby! the most troops-lovin' kid beatin' droop-faced crooner this side of Christmas.
But Brea! you say, Bing Crosby isn't even all that talented. He doesn't hit any high notes, have remarkable vocal power, he can't dance and has virtually no snowmanship.
It's ok!! They'll pair him with somebody actually talented like Fred Astaire or Danny Kaye and pass it off like Fred is actually using Bing to look good.
Here he is looking good in a Family Guy parody:
http://familyguy.wikia.com/wiki/Bing_Crosby
By now, I'm sure you've realized that I'm referring to my two favorite holiday movies:
Irving Berlin's White Christmas and
Holiday Inn -If the traffic noise affects you, like a squeaky violin..kick your cares down the stairs and coooome to holiday inn!
The plots are a little too convoluted to type in a space that wouldn't be unreadable and annoying, but trust me, it's cinematic genius- they're always some sort of inn INNvolved, there's crazy schemes and deceit and musical numbers galore!
I wait all year for singing the songs to magically transform from annoying to appropriate.
As extra incentive to see at least one of the movies, I will give you the only joke line of Holiday Inn- don't get me wrong, there's funny parts but this is the only part where they actually made an attempt at an actual joke:
(a lot more actual joke attempts in White Christmas)
Bing Crosby has moved out by himself to the farm that he had bought for his and his fiance/show partner Lila's life together, but the day after he quit his show career, Lila left him for Fred Astaire, the dancer in their act. Bing often complains that on holidays, instead of taking a break, people in show business put on even more intense shows, so he wanted to move away from the city to "live life by the holidays". He returns with jars of farm peach preserves for Fred and Lila and Fred's agent who's always lurking around.
Fred says: Oh boy, peach preserves, do I ever go for those. They're great on.....or even plain!
Then they take cover in the dressing room as the preserve jars explode from exposure to the nightclub air.
And do I sit there year after year biting my nails, waiting for the only joke line so I can laugh my ass off? You know I do!
The moral of the story: See the movies, sing often, and apparently, Bing Crosby has the authority to tell people when to go to sleep.
White Christmas
Holiday Inn
Fun fact for everyone who doesn't know: The reason why White Christmas is not a public domain song, and its impossible to get sheet music for is because its an Irving Berlin song appearing in both movies and the rights are heavily protected.
One more fun fact: White Christmas is playing at Manitoba Theatre Centre! -I only regret that it was too close to the deadline and I couldn't review it for the journalism review assignment. Not to mention I'm going to Tosca tonight and it's somehow less expensive.
Go Buy Tickets Now:
Holiday Inn at the Manitoba Theatre Centre- at least go for the water wall!-
One of the first Scenes from White Christmas- just look at this adorably awful set
Adorable musical number or recruitment video- WHO CARES!! One of the final scenes of White Christmas
Opening Scene of Holiday Inn
Thursday, November 4, 2010
Blog Assignment: Sam Lipsyte's :The Dungeon Master Critique
Yeah, so maybe you're all getting sick of this Eladrin picture from the instruction manual- maybe I'm sick of making good fan-art.
As a former Eladrin Wild Sorceress, I was immediately drawn to Sam Lipsyte's The Dungeon Master.
The short story was published in the Oct. 4/ 2010 addition of the New Yorker. Lipsyte is an American short story writer and the author of four novels to date, his latest being
The Ask.
Link to the Short Story
Thankfully, unlike the sadistic overlord Dragon Master in the story, I had DnD Danny as a Dragon Master who allowed me to cast range spells at a jillion kobold tokens while hiding in a large pile of gold.
By the by Danny: I still say that regardless of being able to equip armor I should be able to set fire to the gold pile, roll and in searing gold, heal myself and come out with gold permanently welded to my skin as...The Ultimate Armor!
Anyway, I can never be sure how accurate the characterization was, because I don't know what level of impersonality is used when high school boys interact with each other. They were so generally uninterested with each other, that aside from Marco and the Dragon Master (for whom it still took a few reads of the first paragraph to sort out) I was continually confusing the characters.
You would think that each character having an of their inner selves right off the bat would provide instantaneous deep insights into their personality but it does surprisingly little for the story. The thief kid is a rogue. Big surprise.
Death was clearly a theme, with frequent mention of the Dungeons and Dragons suicides, Cherninsky not wanting to die in the game, and the Death of his sister. I thought it was very powerful towards the end, when all the faces of death leaking in the story, eventually swirl together.
Dungeons and Dragons before World of Warcraft, and eventually Second Life, was the ultimate false life. The whole story to me is really about the delicate balance of life and death, DnD as a pseudo life, postponing the imminent death of those who had nothing to live for. Eventually, death as a force, which permeates each of the players lives, begins to chip away at their delicate defenses and as the fragments of the game fall away, death glints through the cracks.
My verdict? Read it. It's sufficiently dark enough to carry the themes without being forcefully dramatic. It's paced nicely, and although its not suspenseful, it draws you to read to the end. Once you get there, despite the web (or lack thereof) of loose ends and lack of closure, you find that it was worth the 10 minutes you spent, better than 10 minutes of watching whatever is on Family Channel while flipping through the real channels, looking for something decent.
Keep up the good dungeoneering readers!
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